Умеренный полюс модернизма. Комплекс Орфея и translatio studii в творчестве В. Ходасевича и О. Мандельштама - Эдуард Вайсбанд

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1

Сопоставление Мандельштама и Ходасевича в связи с их неоклассицистическими тенденциями инициировал еще А. Кушнер в 1991 году на известной конференции «Столетие Мандельштама», см. [Кушнер 1994].

2

Будет преувеличением, однако, говорить о каком-либо консенсусе касательно хронологических границ модернизма. Нижняя граница может сдвигаться до творчества Ш. Бодлера в 1860‑е годы. Верхняя граница еще более подвижна и может охватывать какой-то отрезок послевоенного периода. Я, впрочем, солидарен с теми исследователями, которые ограничивают историю модернизма началом Второй мировой войны (см. [Livak 2018: 27]).

3

Возможно, одним из