`
Читать книги » Книги » Научные и научно-популярные книги » Психология » Метавнимание. Как сохранять продуктивность и удерживать фокус в цифровой реальности - Глория Марк

Метавнимание. Как сохранять продуктивность и удерживать фокус в цифровой реальности - Глория Марк

Перейти на страницу:
id="id225">

325

Root-Bernstein, Robert S. “Music, creativity and scientific thinking.” Leonardo 34, № 1 (2001): 63–68.

326

Rideout, Victoria, and Michael B. Robb. The Common Sense Census: Media Use by Kids Age Zero to Eight. San Francisco: Common Sense Media, 2020, https://www.commonsensemedia.org/sites/default/files/uploads/research/2020_zero_to_eight_census_final_web.pdf.

327

“The Nielsen total audience report March 2021.” https://www.nielsen.com/us/en/insights/report/2021/total-audience-advertising-across-todays-media/.

328

Statista 2020. “Average daily time spent watching TV per individual in the United Kingdom (UK) from 2005 to 2020.” https://www.statista.com/statistics/269870/daily-tv-viewing-time-in-the-uk/.

329

Statista 2020. “Audience distribution among the leading television channels in France in 2020.” https://www.statista.com/statistics/381685/audience-share-of-tv-channels-in-france/.

330

Statista 2019. “Average time people spent on watching real-time television per weekday in Japan from fiscal year 2012 to 2019.” https://www.statista.com/statistics/1201929/japan-average-time-spent-real-time-television-per-weekday/.

331

Statista 2019. “Average daily time spent watching television in China from 2011 to 2019 with estimates until 2022.” https://www.statista.com/statistics/467531/china-average-daily-time-spent-watching-tv/.

332

“The Nielsen total audience report March 2021.” https://www.nielsen.com/us/en/insights/report/2021/total-audience-advertising-across-todays-media/.

333

“The Nielsen total audience report March 2021.” https://www.nielsen.com/us/en/insights/report/2021/total-audience-advertising-across-todays-media/.

334

Cutting, James E., Jordan E. DeLong, and Christine E. Nothelfer. “Attention and the evolution of Hollywood film.” Psychological Science 21, № 3 (2010): 432–439.

335

Cutting, J. E., K. L. Brunick, J. E. DeLong, C. Iricinschi, and A. Candan. “Quicker, faster, darker: changes in Hollywood film over 75 years.” i-Perception 2, № 6 (2011): 569–576.

336

Abrams, Richard A., and Shawn E. Christ. “Motion onset captures attention.” Psychological Science 14, № 5 (2003): 427–432.

337

Cutting, J. E., K. L. Brunick, J. E. DeLong, C. Iricinschi, and A. Candan. “Quicker, faster, darker: changes in Hollywood film over 75 years.” i-Perception 2, № 6 (2011): 569–76.

338

Follows, S. (2017). “How many shots are in the average movie?” Stephen Follows Film Data and Education. Available https://stephenfollows.com/many-shots-average-movie/.

339

Butler, Jeremy G. “Statistical analysis of television style: what can numbers tell us about TV editing?” Cinema Journal 54, № 1 (Fall 2014): 25–45.

340

Tsivian, Yuri. Lab: MTV Video. Cinemetrics. Accessed December 3, 2021, http://www.cinemetrics.lv/lab.php?ID=165.

341

Statista. “Most popular YouTube videos based on total global views as of August 2021.” 2021, https://www.statista.com/statistics/249396/top-youtube-videos-views/.

342

Shevenock, Sarah. Exclusive: Vevo Data Reveals How Often Gen Z Watches Music Videos and Which Ones Overperform With Them. Morning Consult. 2021. Available https://morningconsult.com/2021/08/02/vevo-exclusive-data-gen-z-music-videos/.

343

Smith, Tim J. “The attentional theory of cinematic continuity.” Projections 6, № 1 (2012): 1–27.

344

Smith, Tim J., and John M. Henderson. “Edit blindness: the relationship between attention and global change blindness in dynamic scenes.” Journal of Eye Movement Research 2, № 2 (2008).

345

Barnes, John. The Beginnings of the Cinema in England 1894–1901. Vol. 2. Exeter: University of Exeter Press, 1996.

346

Raskin, Richard. “Five explanations for the jump cuts in Godard’s Breathless,” P.O.V.: A Danish Journal of Film Studies, № 6. (1998), 141–153.

347

Crowther, Bosley. “French film ‘Breathless’ has shocking power.” The New York Times, February 12, 1961, https://timesmachine.nytimes.com/timesmachine/1961/02/12/118022212.html?pageNumber=355.

348

BMAC. “How to jump cut like a pro.” 2017, https://www.youtube.com/watch?v=p2BqEvoiX04.

349

Schwan, Stephan, Bärbel Garsoffky, and Friedrich W. Hesse. “Do film cuts facilitate the perceptual and cognitive organization of activity sequences?” Memory & Cognition 28, № 2 (2000): 214–223.

350

MacLachlan, James, and Michael Logan. “Camera shot length in TV commercials and their memorability and persuasiveness.” Journal of Advertising Research 33, № 2 (1993): 57–62.

351

Elliott, Stuart. “TV Commercials Adjust to a Shorter Attention Span.” The New York Times, April 8, 2005, https://www.nytimes.com/2005/04/08/business/media/tv-commercials-adjust-to-a-shorter-attention-span.html?searchResultPosition=1.

352

Stanton, John L., and Jeffrey Burke. “Comparative effectiveness of executional elements in TV advertising: 15-versus 30-second commercials.” Journal of Advertising Research 38, № 6 (1998): 7–8.

353

Friedman, Wayne. “Shorter-duration TV commercials on the rise.” Television News Daily, Oct. 4, 2017, https://www.mediapost.com/publications/article/308248/shorter-duration-tv-commercials-on-the-rise.html.

354

Mandese, J. “Nielsen patents method for compressing TV ads, finds they can work better than longer ones.” MediaDailyNews, June 11, 2018, https://www.mediapost.com/publications/article/320538/nielsen-patents-method-for-compressing-tv-ads-fin.html.

355

Newstead, Kate, and Jenni Romaniuk. “Cost per second: the relative effectiveness of 15- and 30-second television advertisements.” Journal of Advertising Research 50, № 1 (2010): 68–76.

356

“Facebook for business. Best practices for mobile video ads.” Accessed August 31, 2021, https://www.facebook.com/business/help/144240239372256?id=603833089963720.

357

Fulgoni, Gian M. “Why marketers need new measures of consumer engagement: how expanding platforms, the 6-second ad, and fewer ads alter engagement and outcomes.” Journal of Advertising Research 58, № 3 (2018): 259–262.

358

Ah-young, Chung. “Snack Culture.” The Korea Times, Feb. 2, 2014, http://www.koreatimes.co.kr/www/news/culture/2014/02/386_150813.html.

359

Hutchinson, Andrew. “TikTok tests even longer video uploads as it looks to expand its presence.” Social Media Today, 2021, https://www.socialmediatoday.com/news/tiktoks-testing-even-longer-video-uploads-as-it-looks-to-expand-its-presen/605603/.

360

Ceci, L. “TikTok — Statistics & Facts. 2022.” Statista, https://www.statista.com/topics/6077/tiktok/#topicHeader__wrapper.

361

Aldredge, J. “Your guide to social media video lengths.” 2021, https://vimeo.com/blog/post/social-media-video-lengths/.

362

Brasel, S. Adam, and James Gips. “Media multitasking behavior: concurrent television and computer usage.” Cyberpsychology, Behavior, and Social Networking 14, № 9 (2011): 527–534.

Перейти на страницу:

Откройте для себя мир чтения на siteknig.com - месте, где каждая книга оживает прямо в браузере. Здесь вас уже ждёт произведение Метавнимание. Как сохранять продуктивность и удерживать фокус в цифровой реальности - Глория Марк, относящееся к жанру Психология / Экономика. Никаких регистраций, никаких преград - только вы и история, доступная в полном формате. Наш литературный портал создан для тех, кто любит комфорт: хотите читать с телефона - пожалуйста; предпочитаете ноутбук - идеально! Все книги открываются моментально и представлены полностью, без сокращений и скрытых страниц. Каталог жанров поможет вам быстро найти что-то по настроению: увлекательный роман, динамичное фэнтези, глубокую классику или лёгкое чтение перед сном. Мы ежедневно расширяем библиотеку, добавляя новые произведения, чтобы вам всегда было что открыть "на потом". Сегодня на siteknig.com доступно более 200000 книг - и каждая готова стать вашей новой любимой. Просто выбирайте, открывайте и наслаждайтесь чтением там, где вам удобно.

Комментарии (0)